Salt Fish Girl

Salt FiSh Girl 2

Salt Fish Girl

BY LARISSA LAI

NU WA

Bank of the Yellow River, pre-Shang dynasty

 

THE BIFURCATION

In the beginning there was just me. I was lonely. You have no idea. I was lonely in a way even the most shunned of you have never known loneliness. And I was cold, which is not the same as cold-blooded, no matter what they say about me. It was not a philosophical, mountaintop sort of loneliness, the self-inflicted loneliness of a sage in his dark cave. It was a murkier sort of solitude, silent with the wet sleep of the unformed world.The materials of life still lay dormant, not yet understanding their profound relationship to one another. There was no order, nothing had a clear relationship to anything else. The land was not the land, the sea not the sea, the air not the air, the sky not the sky. The mountains were not yet mountains, nor the clouds clouds. 

But wait. Here comes the sound of a river, water rushing in to fill the gap.Here comes the river. Husssssssh. Shhhhhh. Finger pressed vertically against lips, didn’t I tell you? Of course I have lips, a woman’s lips, a woman’s mouth already muttering secrets under my breath. Look, I have a woman’s eyes, woman’s rope of smooth black hair extending past my waist. A woman’s torso.Your gaze slides over breasts and belly.The softest skin, warm and quivering.And below? Forget modesty. Here comes the tail, a thick cord of muscle undulating, silver slippery in the early morning light. Lean closer and you see the scales, translucent, glinting pinks and greens and oily cobalt blues. 

I know that eye, the eye that registers fear first, and then the desire to consume. What kind of soup would my flesh make? What would you dream after tasting?

Worried you, eh? Never mind, I was telling you about the river. Shhhhhh. Here it comes. Curve and slither, form and motion we both understand.

In the beginning there was me, the river and a rotten-egg smell. I don’t know where the smell came from, dank and sulphurous, but there it was, the stink of beginnings and endings, not for the faint of heart. I was lonely. I scooped up a clot of mud from the riverbank and rolled it cool and brown between my palms. It was slippery and hard to control. I poked and prodded it. I jabbed and jerked it. I laid it in the palm of one hand and I stroked and smoothed it with the fingers of the other until it began to look a little like me. I gave it a thick, smiling mouth. I gave it a stubby little tail so it wouldn’t get too arrogant and think itself better than me. The mouth contorted into a rude shape. I pinched it back into place. I gave the thing some eyes so it could see who it was dealing with. The eyes opened and gazed at me insolently and the mouth contorted again, then settled in an insipid smirk. I laid my thumb into a little indent beneath the waist, and, in a fury, pressed until the tail split in two. The mouth opened. . . oohhhh. The thing went limp. I smoothed the rough bits between the dangling flaps of bifurcated tail, trying to conceal the damage I had done, pretend it was part of the original design. Oooohhhh, sighed the thing. It began to breathe. 

Can you understand me? I asked it. Do you speak my language? I wanted to tell it about my loneliness and how delighted I was to have its company. I wanted to ask its forgiveness for my moment of wrath.

The thing stared at me. It pointed at my tail and started to laugh. Furious, I dashed it to the ground, where it crumpled and then lay still. I scooped up another clot of mud and rolled it between my palms. But as soon as I gave it a mouth and eyes, it too began to laugh at me. I split its tail. I dropped it unceremoniously into the river and began another. All day I worked, varying nose length and eye colour, shoe size and heart size, hoping to create one that would treat me with a little respect, but always with the same result. I worked until I was so exhausted I could not keep my eyes open a moment longer and then I slumped down beside the wreckage of my monstrous creations and fell asleep.

I woke to the sound of sighs and laughter. The things had survived my fury. The crushed ones had healed, the ones I dropped into the river had swum to shore. They were rolling two by two in the mud, moaning and giggling and stroking one another at the point of damage, the point at which I had split the tail. They’re a bit disgusting, I thought to myself, but I don’t feel lonely any more. I showed them how to build houses and plant rice and tried to get them to treat me a little better. When they saw that I could help them, they made an effort, but they weren’t very clever and so they relapsed, frequently, into rudeness and insolence.

I wondered how long they would last, with the few meagre agricultural skills I had taught them. In a few years, they discovered they could cultivate some riverside plants in their gardens and eat those along with rice. I brought them pigs and chickens and taught them how to fish.They were brutal creatures with no qualms about laying a knife against a pig’s throat when they were hungry.They roasted the pig whole in a deep pit. Later though, I found a neat plate of roasted pork sitting on a rock by the river, presumably meant for me. 

They made it into a habit. Every feast day they left me a plate of roasted pork. Later, they marked it for me by burning sticks of aromatic wood beside the plate. I began to grow fond of them and worried about their mortality.

As they aged they slowed down, grew pale and thin. Their glossy black hair lost its sheen and whitened. They developed sores in their mouths and infections in their ears. Their eyes glazed over and some of them went blind. They hobbled about in obvious pain, their sores running with pus and blood. I grew despondent and listless. I could not bear to watch. One day an old woman came to me, her clothes tattered, her hair streaked with ghostly white strands.“What is wrong with us?” she said. “You made us. Now help us.” My despondency grew into a full-blown depression. I slithered off into the hills and found myself a dark cave. 

In the dark I dreamt about their origins, searching for a key. I remembered their mischievous eyes, their rude smirks. I remembered my fury and how I had wished to destroy them. I remembered how I had split their tails, and how they had learned, awkwardly, to walk, rather than gliding along low to the earth as I did. I remembered the pleasure they derived from stroking one another between the legs. 

There was something to this if I could just . . .And then I had it! Suppose I gave this instinctive activity a dual purpose, suppose it were not just for pleasure, but also for procreation. Not that I have anything against pleasure myself, leave that to Confucius; he’ll be along soon enough. But why not give the behaviour a secondary function? Delighted, I slipped and slithered back to the little river settlement. I made the strong ones into women and the weak ones into men. I taught them how to kiss.

They were pleased with my latest invention. They kissed and stroked and stimulated one another until their hair resumed its original glossiness and their cheeks and eyes grew bright. They copulated in their little river shacks and I politely averted my eyes, not wanting to embarrass them. They became so absorbed with one another that they forgot about me altogether, except for those who could not have children. These built temples and burned incense for me. They laid out plates of pork and whole steamed chickens and sweet round oranges laced with tears of longing. I helped them when I could, but after a few thousand years there were so many of them, I could not help them all, though I revelled in the success of this latest project. 

But the more of them there were, the more preoccupied they became with their daily lives and the less time they had for me. They left food and burned incense for the gods of agriculture and war and only occasionally for me. Because their affection for me diminished so gradually,I didn’t realize how resentful I had grown, or how lonely. The first emotion I recognized in myself was envy. I longed to walk amongst them, experience the passion I had invented without having ever felt it.You might think it odd, to envy the beings one has created. I can’t explain it, except to say that it happened and that it consumed me with such a burning longing that I could think of nothing except how I might walk among them undetected and experience their joys and sorrows.

I returned to the riverbank, to the precise spot where in my loneliness I had scooped up that first handful of mud and prodded it into shape.The mud was cool against my belly. I glided down the slippery bank to a bend in the river where the water pooled. At the end of the pool, water flowed between two jagged rocks. I followed the bank. It dropped off sharply and I skidded down the drop. Beside me, the water gushed.The narrow stream had become a thin rope of waterfall.At the bottom was a cold green lake. I slithered to the far end and slipped into it. The water was very clear. I lay beneath the surface. It was still as glass, a veil above which the dryworld shone like a painting on the ceiling of a chapel, except that it moved. Storm clouds gathered furiously up there and it seemed amazing to me that things could be so still and quiet here below when there was so much violence up above.The surface held flat and unmoving until the boat approached. Its wake shot ripples through the stillness. Slowly, the boat glided across my transparent roof, a dark looming shape, dry and full of mystery. It shut out the troubled blue-grey light. A paddle dipped rhythmically in the water, first on one side then the other, a dark wing repeatedly breaking the surface. Suddenly, over the ledge, a face appeared. It was a young man’s face, all angles. The eyes were dark and contemplative. I couldn’t know then that it was not the kind of face young men usually wore in public. It was a private face, a lonely face, the kind of face men reserve only for reflective surfaces. I shivered and the shiver travelled down the full rope length of my body, making the underwater weeds in which I hid shudder also with an animal sort of motion. The young man noticed, and his eyes changed. He was no longer watching himself, but looking into the water. He had seen me. 

The boat passed overhead and its shadow moved slowly away into the distance.The sky opened up overhead again and light streamed down in long blue shafts. But I no longer felt content. I found myself longing for the shadow.A storm broke and it began to rain.The surface broke up so that what lay above became indecipherable. I swam along a steep ledge down one side of the lake, which went so deep it might have been bottomless. Light did not penetrate to this dark cold place and so I found my way by feel. My fingers brushed against the jagged edge of an opening. I reached down and groped in the dark. I peered over the ledge.There was a faint light in the cave, and at its bottom lay an enormous green fish with scales as big as my hands and eyes older than the world. Patiently, her gills gaped open and closed. 

“I saw a young man’s face,” I told her, “I want to go up into the world as a human being.”

She said, “I can give you legs, but the bifurcation of your tail will be very painful.”

“I don’t care,” I said. “I’m not afraid of pain.” 

“Open your mouth,” she said. 

I felt a stream of water flow into my mouth like a finger. It pressed something smooth and round into the back of my throat. I thought I would choke. I thought I would swallow the round thing, but it nestled firmly just where the water had nudged it, as though there were a small round gap in my mouth I had not noticed before. I felt no pain there, but in the tip of my tail I did. An unpleasant heat at first and then a terrible burning sensation. There was the sound of flesh ripping, and then I felt it, my body beginning to split in two. I screamed. She placed her hand over my mouth. “The pearl will keep you alive forever,” she said. “But you will never again be without pain.” The ripping continued up my long spine. The vertebrae cracked in two and the strands of the spinal cord were wrenched apart. The agony was unbearable. I opened my mouth again and clamped down on the hand that still covered it. She shrieked and let me go. Fast as I could I slithered away from her, up out of the cold dark depths to where there was still light and plant life, up to the far side of the lake, leaving a trail of blood in my wake.

I pulled myself onto a big flat rock to examine the damage. The separating continued and where my tail had torn in two the flesh dangled limp and useless. I reached down and tried to press the halves together again, but they didn’t quite fit. Already they were rounding a little. I watched in horror as my bright scales flaked off one by one to reveal vulnerable flesh beneath, greyish pink and much too soft. I picked the scales up off the cool surface of the rock and tried to press them back to my thin skin, but to no avail.The split tip of my tail opened and flattened and the ends separated in four places. My feet were translucent, pale and veined. I had no faith that I’d be able to stand on them. I stroked my new appendages with cold hands, trying to soothe away the burning pain. I turned on my rock. Behind me on a nearby rock sat another woman, also stroking her legs and marveling at their newness. Her face was remarkably like the face I had seen gazing down at me from the boat.

Miranda

Serendipity, a walled city on the west coast of North America, 2044

 

FIRST SYMPTOMS

My mother was a sixty-three-year-old woman the year I was born. I have a picture of her, taken the week before my conception, posing at her vanity, where she often sat in those slow grey days. The dark wood vanity is tidy and unadorned except for a clean lace doily carefully arranged in the centre. To one side an array of elegantly cut perfume bottles glitters. My mother is smiling in the photograph. Her hair is black, but you can tell it has been dyed because the shade is so unnaturally dark. It has been carefully permed in smooth, neat waves, and pinned at the back with discreet black pins. She wears a close-fitting dress patterned with iridescent dragonflies and draped modestly with a gauzy wine-red shawl. Perhaps she and my father were on their way out to meet some old cabaret friends at the New Kubla Khan—that famous club, a legend in my family long before my birth. People said her career was made and broken there. That she was admired there by men and women alike.And there my father had first given her that ridiculous bunch of white chrysanthemums and stayed to conceive my eldest brother,Aaron. Around her neck, she wears a pearl choker, which gleams softly in the late afternoon sunlight that trickles through the flower-shaped holes worked into the lacy curtains, sunlight enhanced by another, artificial light, that the discerning viewer could source with a little careful scrutiny. In the mirror behind her you can see the headless reflection of the photographer, a tall thin man in a well-cut suit.Where his head should be a brilliant light flares—the old Nikon’s powerful flashbox doing its job.

From her sad smile and from the faded way her eyes shine you can tell she thinks of herself as old. Certainly she has no premonition of my arrival, at least not in this photograph. About my father, because you can’t see his head you can’t tell. Maybe he knows something she doesn’t, but I doubt it. But if you look really carefully into the brilliance of the flash reflected in the mirror behind my mother, you can see the outline of the camera’s lens, and in the centre of that lens is a teensy black squiggle. It might just be a hair on the negative, but I like to think of it as a twinkle in my father’s eye, a wriggly little premonition of my coming. When we look at the photograph together, no one notices the squiggle but me. No one really even notices the reflection of the man in the mirror. Once, when my parents weren’t around, I pointed the squiggle out to my brother Aaron, but he just laughed and said,“It’s not possible, stupid.When you look in a camera you look through the viewfinder. Your eye won’t appear in the lens.” I never mentioned it again.

On the day of my conception, there was a scent in the air, a strange scent, that over the years was to become very familiar. But on this day it wasn’t yet. Seated at her vanity, fingering the trappings of long-forgotten glory, the bottles and tubes, the boxes and cases out of which beauty refused any longer to leak, my mother caught her first whiff. At first she couldn’t place it, and it struck her as unpleasant, like the reek of cat pee tinged with the smell of hot peppers that have not been dried and are on the verge of going off.The scent was ever so faint at first—the merest molecules brushed her nostrils and set them tingling. A breeze wafted through the room, and the same scent rode in on it, but more strongly this time. When it was stronger, oddly, it did not seem so unpleasant.There was something intriguing about it, something vaguely familiar in a subtropical kitchen sort of way. A cross-draft pushed through the barely open window to the right of her dresser, and brought with it another dimension of the same odour, intriguing, yes, and familiar too, and also illicit—the smell of something forbidden smuggled on board in a battered suitcase, and mingled with the smell of unwashed underwear. My mother’s curiosity was piqued. She stopped fiddling with the worn tortoiseshell compact her elder sister had given her on the long-ago night of her cabaret debut. She laid both hands flat on the vanity top and breathed the odour in. Durian, such as she hadn’t tasted since she was a small child and her grandmother smuggled one in from Hong Kong, once upon a time before the absolute power of the Big Six and our family’s fortunate installation at Serendipity. Durian, like the one she begged her husband for only last week, when they saw some growing—strangely, for this is not their climate—near a beach in the Unregulated Zone, where law-abiding corporate citizens like them are not supposed to go. She wanted it so badly, she would have taken the risk, but my father said that wild things weren’t safe. She knew that. She wanted it anyway.

My father entered the room holding in both hands that heady fruit in its spiky, leather-hard shell. My mother turned to him with a look he had not seen since another night, long ago, before their wedding, when he had first burst into her dressing room at the New Kubla Khan, eyes shining with boyish passion and terror, the night of the white chrysanthemums and my brother Aaron’s conception. She turned to him and her eyes brightened and her mouth grew moist. Her dyed hair suddenly caught the light, and the dark strands gleamed with a brilliance that, while neither youthful nor natural, was nonetheless lively.

“Durian,” he said. “Come eat.” He stood in the doorway and did not move. She rose from the worn seat of her ancient vanity, and on her dainty, small, now lithe feet, practically wafted up to him and pressed her warm lips to his. He dropped the durian in surprise.As they tumbled to the floor, it tumbled between them, its green spikes biting greedily into their flesh, its pepper-pissy juices mixing with their somewhat more subtly scented ones and the blood of the injuries it inflicted with its green teeth.

As for the precise nature of my conception in this incident, what shall I say? That the third gender is more unusual and more potent than most imagine? That my conception was immaculate, given the fact that my mother was a good eight years past menopause? I can tell you none of these things because I know nothing about them. From time to time I get an inkling, enough to sense that there was something I knew before this moment, but whatever it was flooded away from me in that instant, before I could grasp a sense of what it was that was leaving. 

But as a result of this incident, my mother’s belly swelled watermelon round. The child, however, that emerged from her womb nine months later did not smell watermelon sweet.

If the truth must be told, I stank. Vaguely at first, of pepper and cat pee, but as I grew the smell intensified, so sour and acrid that no amount of roll-on deodorant, however liberally applied, could take the odour away. 

“I don’t mind,” said my mother. “I think she smells quite delightful.”

 

BIO

Larissa Lai has written eight books. For her first novel, When Fox Is a Thousand (1995, 2004), she received an Astraea Foundation Emerging Writers’ Award, and was shortlisted for the Books in Canada First Novel Award. The Advocate called it “an elegant, elliptical spiral of gradually tightening circles that collide in a fusion of magical and objective reality.”

Her second novel, Salt Fish Girl (2002) was named an Otherwise Honor Book, and shortlisted the Sunburst Award and the City of Calgary W.O. Mitchell Prize. The Georgia Straight said “Lai’s creation reminds us of the importance of connecting with our past and with each other if humanity is to work together to create a future worth living in.”

After these two novels, she wrote three poetry books: Sybil Unrest (2008, 2013, with Rita Wong); Automaton Biographies (2009, shortlisted for the Dorothy Livesay Poetry Prize); Eggs in the Basement (2009, shortlisted for the bpNichol Chapbook Prize), and a book of literary criticism, Slanting I, Imagining We (2014, shortlisted for the Gabrielle Roy Prize in Literary Criticism).

Her third novel, The Tiger Flu (2018) won a Lambda Award, was named Otherwise Honor Book, and was shortlisted for the City of Calgary W.O. Mitchell Prize. Autostraddle describes it like this: “Life – fierce, painful, unyielding, complicated – bursts from every page.”

Of her fourth poetry book, Iron Goddess of Mercy (Arsenal Pulp Press, 2021), Fred Wah says, “I don’t think I’ve ever experienced the intensity of an epistolary ‘voice’ performed with such impact as this Iron Goddess jamming through the syllables of an explosive imagination”.

Involved in cultural organizing, experimental poetry and speculative fiction communities since the late 1980s, Larissa received the Jim Duggins Novelist’s Prize in 2020. She holds a Canada Research Chair at the University of Calgary, on Treaty 7 Territory, where she directs The Insurgent Architects’ House for Creative Writing.