Stan Rushworth

Stan Rushworth

Stan Rushworth is an author, teacher, and activist working to bring Indigenous peoples’ literature and experience to the forefront, and to increase the sense of relationship to Earth and all of life. A father and grandfather, and a veteran of the Vietnam era, he lives in Northern California. He is the author of Sam Woods: American Healing (Station Hill Press, New York, 1992); Going to Water: The Journal of Beginning Rain (Talking Leaves Press, Freedom, CA, 2014), and Diaspora’s Children (Hand to Hand Publishing, Los Angeles,) 2020. His current publication is co-edited with Dahr Jamail, We Are The Middle of Forever: Indigenous Voices From Turtle Island on the Changing Earth (The New Press, New York) 2022, intimate interviews with Indigenous leaders on climate change.

A NOTE FROM DEENA METZGER

About Going To Water

In 2013. something remarkable happened. I received a letter from a stranger, Stan Rushworth, who suggested, as we were both interested in Story, in stories that heal, that I might want to read his newly published novel, Going to Water: Journal of Beginning Rain. I had already been reading Native American literature. The more I read, the greater my interest until I barely read anything else. Reading what Native Americans are writing, and the ways they are writing, was a way of keeping myself sane in a world that is itself increasingly insane, and has been, so I have come to understand, at least on this continent, for 500 years. But still, I was not prepared for Going to Water. When I finished reading it within days, I wrote to Stan, "I have never been so profoundly affected by a book. It is an essential text. These are the only words I have now.” I had one of the great books of our time in my hands and I had never read anything like it. Story and treatise, this essential text by a Native writer, emerges from the wisdom traditions of Indigenous peoples. It is wildly imaginative and inherently grounded, profoundly respectful, and bitterly angry, lyric and realistic. Going to Water is of this world and of the many worlds, of this time and of many distinct histories interconnecting. While it reveals the nature of colonialism and fascism and how they develop out of a single mind, it is also uniquely fierce and visionary about how one meets the multiple agonies we have created which afflict this world.

GOING TO WATER

The Journal of Beginning Rain

A Historic novel

Copyright 2013

For all my family, 

And for all my relations

“The ideal of a single civilization for everyone implicit in the
cult of progress and technique, impoverishes and mutilates
us. Every view of the world that becomes extinct, every
culture that disappears, diminishes a possibility of life.”

-Octavio Paz

“We must love the world,
and we must sing that love song in the morning light.
That is what I know,
and that is all I know.”

-Dr. Darryl “Babe” Wilson (Iss/Aw’te)

Prologue

When I first met her, she was standing alone by a small frozen pond at the edge of her town, long before America. She met my eyes without fear, searching my insides, and she knew why I was there. We sat in silence for days, listening to the world around us, and we walked in the snow-patched woods together, and then on the eighth morning, still in darkness, I woke in unexplained dread in her family house, and as I crawled through the cold toward her sleeping-robes, I could hear her parents crying, entreating her to stay with them, to not die. She lay curled in a weak ball on her robe, and the light from a small burning torch her father held showed her grey pallid face. Tears fell out of her half-closed eyes and dried on her face and nose, then they stopped altogether. As the sun rose, she did not change her position. Her mother pushed warm corn meal into her mouth, but it fell out of her open lips onto the robe, and she was motionless and limp. All day long she remained this way, and others in the house prayed in her direction and gave her room, moving their robes away to let the family tend to her. They went about their day silently. Her father kneeled next to me where I sat by her, looking to me with pleading eyes, but I could only nod in acknowledgement, as helpless as he was. Her mother did not look at me, but she put water and food before me, as I sat and watched her child. But I could not eat. As night fell, her skin grew paler, and she looked as though she would die soon, her breath a faint whisper in my ear when I put my face next to hers, listening. I touched her throughout the day, and she was cold, her skin indented where my fingertips or palms gently rested on her.

It’s all about the heart binding us over all these centuries, the heart that rises up out of the land and binds us together …

When night fell and the other family members had returned, eaten, and gone to sleep, the girl had still not moved, and her breath was even fainter. I said all the prayers I knew to protect her, brought in all the forces I knew to call for help and strength and seeing, but she still did not move, and a deep sadness and fear began to rise up in me. I did not know what to do, where to go in myself, and I felt powerless to help her, but I could not leave her. I could not stand and go to the doctors and tell them I too was helpless. It was not a matter of pride or refusal to accept my impotence, but of something that nagged at me, a sense of incompletion and an insurmountable compassion for this girl who had come into my life, another who carried my name. And she brought me into my weakness, it’s true, into confronting that all I had been taught was useless to help her. She was gone from us, and she was still going, drifting, and it was not out of her own desire to be in the next world, no moving forward, no illness of the body saying it was time to move on and be thankful for all she’d been given in her six short years. No, it was a burden put on her from somewhere else, a weight, a huge stone on her spirit, on her desire to live, and she was leaving because she did not know what to do with this burden, and she was without any adult reasoning I might conjure or speculate that might somehow help. As a child falling into this kind of tortured being, in between life and death, she tore my heart out and put it in my hands, and it would have been in her hands too, if they hadn’t been spread lifelessly on the dark fur under her body, the dark fur her pale face lay etched against in soft firelight. I cried long and deep until my stomach ached, and then my tears left and I too was empty. With no direction and no purpose, and no cure, I slowly curled up next to her on the soft fur and rested my hot forehead against her small skull and cold skin. I went to sleep with her, and lying there beside her, I fell deeply into her world, where I saw what I could have seen through no other way, and I began to understand. I saw the dreams of this magical child, found the beginnings of what must be done, and knew what I had to say.

Going to Water 1

     People think it’s an impossible mission, but I regard it my duty. They don’t understand how time works, is the problem, how it is a vast sea, a swimming thing, and that every moment is touching every moment there ever was or ever will be. As for us, the indigenous, they say it’s all over and done, that we’ve been effectively destroyed, eradicated. The last of our elders are dying off now, reaching toward a hundred years of life lived hanging on by a thread, no young ones stepping up to take over. There’s no time, is how the young ones see it, so busy making a living, driving here and there, paying this bill or that trying to feed the kids, or if they’re kids themselves, trying to figure out what it all means, what their place in the big scheme is. But it isn’t over, not by a long way, because we’re still here fighting. If it were over, why would this persistent enemy in the shiny blue Italian suit keep dogging me so, no matter where I go? He still knows our power, that’s why, and it makes him tremble. He fairly shakes in fear, hatred, and frustration because he cannot root us out from what he thinks should be his world.

     When I go to George Armstrong Custer as he lies dying on that smoky blood-stained hilltop, and when I talk to him and he sees me, sees what he’s done, something happens.  When his eyes find life just before they cloud over yellow on that purple evening, the whole world shifts. Truth comes alive then and fires out into the sky like a flock of escaping bush wrens, sudden and fierce yet delicate too. I don’t know where that truth goes, but I know it goes somewhere, and that it reaches someone, something. I see it in the faces of those tired warriors watching, waiting for me to finish with Custer. They know. They haven’t forgotten where power lies because they’re still living in the time when it was everywhere, known by everyone. They stop and let their carbines and bows and knives hang at their sides. One kneels, his palm touching the ground to take part in something he doesn’t exactly follow, but he knows that something necessary is happening. Dying horses whimper in pain, close and far, steam rises from the pools of blood, eyes stare aghast into the purpling light, but beauty grows over the field like spring flowers. 

     Is it about forgiveness? Who can forgive Custer or John Chivington, or any of us for our own depredations, or any of them, for the world they brought from another continent, the world backing them up that pushed them forward to get what was wanted, the world that followed in prairie schooners, on horseback, walking? No, it’s not about forgiveness, but something else. It’s about seeing, because the blinding has been so effective it’s turned history itself into billowing clouds of impossibility. It’s impossible that we survive and move healthy into the supposedly modern age. Impossible that we still see the world the way we have for millennia. Impossible that we still be at all. What’s true is that those clouds of forgetfulness and impossibility are white canvas blowing in the breeze above steady churning wagon wheels you cannot hear, but that grind your present world, in your imagination, like stones in a flour mill called inevitable progress. You can only see the drifting quality of the long trains and women with bright gingham dresses wafting in the breeze. You can only see the forward inevitable motion of it all, the progress, the destiny, the loveliness next to tragic inevitability made oh so small by all that goodness and promise, the tragic inevitable and natural disappearance of us, the old ones, the anachronisms. You cannot hear us, our voices, our crying, but can only see the drifting white canvas like thick fog on civilization’s early morning. 

     So no, it’s not about forgiveness but something else. You see, if Custer sees, then it makes it possible for everyone between him and me to see. Everyone doesn’t have to see everything. I mean, it’s not necessary, but now they can see, because Custer himself has opened a door for them through his own vision of himself and his life, his own knowing.  Damn the historians anyway, who work for the miners of yesterday and today. Damn them all. They’re the mental miners perpetuating only what they want to remember, not what actually was. No. I can’t care about them now; only eventually when everyone collects into being the same under the same sun and then I truly care for them too, victims of their own imaginations. It’s really about the people, like it’s always been. It’s about their seeing, because they’re the ones who can turn this wagon train aside before it goes like lemmings into the seas of Norway. The masses are the people who drove it. That’s where it started after all, with the millions of people, and it has not altered its course in four hundred years. It’s only collected more wagons, from all around the world, wagons full of gold, gingham, silver, uranium, women, coal, children, and minds, minds of all colors from all places.

     But this week, to bring it home, the Apache flew his arms and eyes around in the parking lot of the movie theater on Thursday in a rage, saying he didn’t “give a shit” these days. “They don’t care,” he snarled. “They just don’t care, or they’d learn about us.  And maybe then, themselves.” He’s right, of course, but who started that uncaring, and how does it continue? Now they’re born anesthetized, big white syringes pumping “numb juice” into unknowing brains and fresh hearts. The beautiful living spirits who walked through their houses to smile into their babies’ following eyes got quickly replaced by cartoon dinosaurs and furry monster puppets. Even now the trees try to speak to them by the time they can walk, but the glowing minds can only reach so far because of everything constricted around them. The children climb up into the low branches and feel the wonder, but they cannot hear the trees’ calling voices or look across an oak-dotted canyon to see the old women who still chatter under the giant tree at their mortars, chiding, smiling, and beckoning. The constriction begins so early it gets in the way of seeing what must be seen, and this is where I work, where my mission lies, in the invisible realms of the mind, not only of children, but of all people who walk across these island nations in their hard boots, their insulating rubber soles, their Guccis and cowboy boots. You see, I know all these many minds work under the power of the “mind inside of nature,” as the Tairona call it, and I know that anything is possible. Even if it does not happen, if my mission fails, I must still attempt it, because I know what is real under all this fantasy. I do know, despite what some of my people claim is impossible. It’s a matter of dignity, I tell them, and this they fully understand since dignity is where they are born and where they live, and hopefully, where they will die. It’s the dignity I work for, no matter how they might laugh at me and call me a crazed fool, on an excited evening under bright stars, the invisible new moon, and a blazing fire.

 

We point past each other with our words, arguing as though we are looking at the same facts and experiences.

Going to Water 2

My name is Agana, Beginning Rain, and no one knows when I was born. That’s because I’m like the Cloud People, who evolved from nowhere. We have always existed, and when conditions were right, we came into being. The truth is I’ve been around a long time, and I’m no one to mess with. I am a tall, strong, smart woman, and on good days, fearless enough to get the job done. I will match wits with anyone, and I can back up the tongue they say is smart with fists, feet, knives or guns. I can slice someone apart with a gaze or bring a person down onto the soft earth in peace and gentleness, whatever needs to happen. Someone called me beautiful the other day, and it surprised me because I don’t often think of human things that way, although stars are undoubtedly beautiful, and the sunrise, and each precious breath. But just before I washed my hair, I gazed into the still pond anyway, and my open black hair hung its tips into the cool water as I kneeled over its surface, and the eyes that sparkled back up at me had a brief moment of looking like stars, so I thought about what that woman said and took its meaning into consideration. Beauty is a powerful thing in this world, after all. It can hide people, keep others from seeing what’s beneath, intentions, darkness lying in there ready to pounce. It seduces too, promising things, drawing another person or being into a sphere of influence, like the flash of a lure to a hungry trout. Like Custer. They say he was beautiful too, but me, I only remember the crimson of his blood and the blood of those he touched, like a scythe he was across our lands.

     Because of that memory, I had to go there, you see, just before he died. I stepped between all those steel-tipped arrows and dying creatures to where he lay dying, close-cropped golden hair matted with sweat and horse blood and human blood and fear.  Everything was getting quiet like it does after a battle, the surreal quiet and drone of death stepping away in the mind, from the mind. The warriors’ hands were shaking, quivering as the fighting power fell from them, all of it over now, another reality slipping into place, the kind of knowing that each warrior will learn to live with, learn to carry, whether it’s in his nightmares, dreams of glory, or knowledge of being part of a history that will last forever. It’s in the smell of urine and blood, in his fear, in his having won the battle, in the strength he lets slide off as another way of living enters him and changes him forever.

     The warriors saw me approach Custer, and they backed away. My flint knife was not for killing, and they could see its medicine, centuries old. One man dropped to his knees, placed his palm on the earth and sang softly, watching, helping us all. A pale blue mist rose from the ground, and silence encompassed the general and me. He was afraid when he saw the knife, fear peeling his eyes back so the whites shone brightly up at me.

     “You’re safe,” I said. “Soon to be dead, but safe. And you will not die at my hand.”  He took a breath. The fear did not leave his eyes, but it wasn’t of me anymore. It was of himself, of what he would see of his life in the next moments, meeting his own heaven and hell because this was the world he knew and made for himself and everyone else.  Heaven and Hell, that simple scourge brought into our land. I saw his journey flit across his eyes, then I let four small drops of dark liquid from my pouch fall into his mouth, and slung it back across my chest. “I want you to live a little longer, so you have time to think. You must look at all the killing you have done, at the way you have seen us, at the cowardice you displayed in killing so many innocents.” He stared at me, wanting to be hard, but he could not. “Now your arrogance has finally killed you and your men, and your terrorizing my people is finished, and you have to listen.”

     He tried to speak, but his voice was cut short by the approach of three Cheyenne and Hunkpapa fighters. I looked at them quickly, and they stopped a respectful distance away.  They had never seen me before, but they knew me, knew who I was. Our people are like that. They could see what I was doing, so they watched, standing very still. The warrior with his palms on the ground continued singing very softly into the earth.

     “Do you see it now?” I asked, but Custer stared straight ahead, refusing in his stubbornness, though he was no longer afraid of the men. I reached down and sliced a small tuft of his hair with the flint knife. “Gold,” I thought. That’s what it’s all about, Custer leading the geologists into Sioux territory despite government promises, as usual the promise falling prey to the need of those who break it, predation justified by need. I held the hair in front of Custer’s eyes. “Here’s your gold,” I said, not to be cruel, but to be real with him, no pity and no mercy. I led his eyes to the ground, and he followed my hand forward and downward until my fingers touched the earth. I scooped a small hole in the soil, then covered it, and Custer’s eyes stayed on the tiny dark mound.

     “Maybe Earth will take you back to the truth now,” I said, very softly, for I wanted him to listen to his own voices. We all listened, the warriors and me, and Custer, and the sky began to change around us all, dreadful dark then light, light then dreadful dark, moving above the softly circling blue mist. “It is up to you now. This is your chance, so don’t be as stupid in your dying as you have been in your life. Take your chance.”

     Custer stared and breathed, and his eyes turned to the darkening purple sky, then back to the damp earth, while the herbs opened his heart to his mind, and he breathed on. The warriors watched, asking themselves if this man deserved the chance he was getting to see himself, maybe to make amends as he died, but they knew enough of life and death  to know this was not their decision. Each of them had fallen to the cruelty that had too long spread across their vast holy prairies a plague, and each had to make their own amends in whatever way they could. Few were spared the corruption within this great change come upon them. For them to deny this fighter, this man, this scourge, this hero of the enemy his own moment in the growing darkness, would be to deny themselves the same possibility.

     Then Custer looked directly at me where I remained kneeling above him, and his eyes finally, finally, fell open. There were no tears, but there was a moment of their glazing over when I knew he was seeing his wife’s eyes in mine, and I let this happen with a rueful smile, tender and hard at once, for I would never be fooled by such things. And though he was cruel and deranged, it may be that he loved too. I have been seen as many things, beautiful and kind and cruel and ugly, and as long as that vision serves Earth, I will let it be. I know any vision changes when I don’t hold to it, and change it did, quickly, and then I became all those Indian women who fell under his sword, and his eyes stayed on mine, straight into me unflinching, widening, his soul breaking open, and I stared back into him. It did not take long, for the medicine is quick in its purpose, and he was a child beneath me, lying against the contorted limbs of his dead comrades.

     “Why are you helping me?” he asked, struggling for an answer, trying to move, but he could not.

     “It has nothing to do with you,” I said. “This seeing is just what is possible for us all, and you are at the center of something horrible and large and strange, at this moment, and it must be done like this for everyone.”

     And then he turned and died, looking down at Earth, a strange smile pulling at the corners of his mouth, not a satisfied smile, but something of otherworldly irony and sadness. I stood slowly and walked down the hill to vanish among the people and the electric purple night.

     The warriors knew not to touch him, not to cut him, but to leave him lying where he was. It was done now, and the white newspapers would say the worst about our mutilations no matter what was done or not done, no matter what soldiers who knew better might see in the following days, as the populace was lost in their craziness and lust for war and gold at this point. What happened that day was a powerful center of a huge churning movement in history, a beginning to what would follow for the next hundred years, and what we accomplished together held a secret that would perhaps only fully come to fruit in still another hundred years. Who knows, maybe what we accomplished that day helped to prevent even more ravages than history has held before our dismayed eyes.

Going to Water 3

 I called her Little Rain, with her soft face in the shape of a pale heart, and she always looked at me as though she knew what I was attempting, but despite our closeness in the world of dreams, I did not really know. I do know that after Custer’s death and seeing, something was different. When I returned and fell into her in the night, our foreheads gently touching, it was different. There was a softness to some of the pictures of huge steel walls, textures she would never know in her life or touch with her fingertips, but textures that lived in her imagination. The softness was enough that a child could reach out, and where it was touched, it would hesitate then fall away to reveal something beautiful behind, a vastness of landscape, perhaps, or a hawk’s body curving through a pale golden sky. And where her heart inhabited her dreams, it moved in the direction of the landscape, the sky of the soaring bird, the bright blue stream snaking through grey granite towering stones, and she breathed then. She shuddered next to me in the darkness and took in her breath sharply and something changed inside her.

     On the next morning she woke and looked into my eyes, beckoning. With my help, and by grasping my arm in her small fierce fingers, she tottered to her feet on the grey robes, then gestured to the outside. She led me, all while clinging to me to maintain her balance, straight into the woods, and her strength seemed to return as we found our way through the small meadows and streams. Then without pause, she followed a certain tiny stream up a gentle slope where there was no path until we came to an almost perfectly round pond beneath an overhanging ledge. A giant sycamore reached its arms out over us from high above, the dark iris of the pond staring skyward through nearly leafless branches.  She stopped, let go of my hand, stared upward at the grey morning sky, then turned to look at me briefly before facing the pond again. Then she suddenly raised her hands skyward in an abrupt motion, opening her palms, and strode into the slowly circling water. She walked to the center, to the eye of the pond, and lowered her hands, resting her palms downward on the surface, which quickly returned to its gentleness after her having walked through it. The black water encircled her waist, and she looked downward into its depth silently, eyes wide open. She went to the water, and the water took her in, and I watched from the edge, crisp leaves crackling beneath my bare feet softly.

Going to Water 4

The Apache went under the knife today, more bypasses than you can shake a stick at.  One doctor pegged it from his smoking, another from something else long-standing in the blood, but what they don’t know is the anatomy of the broken heart. Is he a victim? Yes and no. He’s no one to pity, that’s for sure, yet pain has gone deep into his heart, and it’s inherited, his legacy. Why? Alongside a million reasons, it’s because he’s invisible. He is his people, and he is invisible. He is his history, and he has never been able to live as the man he is. No matter how bad he gets with people, how selfish, arrogant and pushy he seems in his struggle to live, or how kind he is in finally finding his balance, he is always all of us.

     This is what they don’t get. We cannot be divided even when we live the division to the maximum degree possible. Even when we’re crazed. We cannot really be split apart because it’s the same as trying to tear one part of the sun from another on a hot day. But we try to become what’s surrounding us because that’s what’s happening. Or we try to adjust, and in that adjustment we go spinning off the wheel. You can see the attempts everywhere, Indians stealing from each other on Casino reservations, Indian gangs killing each other for the white powders, a twisted irony. We fall together because we are together. Even the rich Indian tribal leader or casino magnate or congressman tumbles headlong alongside the most down and out street bum scrounging a dollar for a bottle of wine. The nature of the fall is just different, more internal. It’s the Indian college professor who shoots himself in the parking lot, right in the lonely heart.

     The heart. That’s what it is. It’s all about the heart binding us over all these centuries, the heart that rises up out of the land and binds us together, and when we’re stretched thin by our hatred of each other, our disdain for the Indian scouts working for “them,” past and present, and when we dive into unknown waters of the spirit through drugs and alcohol, trying to numb the pain and grief, escape the confusion and frustration and the sense that it can never be made right, this is when the heart tries to stretch beyond what it is capable of. It tries to make it right, to love, to deal with it all, but it can’t because it’s stretched from Pine Ridge to Fresno, Guatemala to Alaska, and the sinew begins to ache with every pump, the spirit calling up all the adrenalin to keep it firing, but it just tires. It just gets worn out, beat down, and in those moments when the woman goes back to bed on a Monday morning instead of going to work, the weight of it all comes tumbling like soft deep water pressuring her back into attempted and impossible dreams. Bed-covers smelling like sweat cover the eyes, and the heart gives up. It collects its pain then and stores it, and as the mind reflects under the moisture of that suffering, it sees everything overwhelming it, from the pain the children take into themselves to the panic in the body politic as it plays out on the radio, in the classrooms and churches, in the music, everywhere in what they arrogantly call the “greatest experiment in the history of civilization.” The Indian knows the price for this experiment, and this is why the Apache will lie thin in his bed listening to the almond wood burn in the stove. He will sing his songs in a faltering voice at first, but he will keep on singing.

     And he will come around again. He’s tough, and I will use him again. This I know.  He is an ally, and I will need him because I do have enemies. He knows where and how to fight, and because of this I am never alone.